Music 29 Final Prep Sheet
Autor: Tim • March 2, 2018 • 757 Words (4 Pages) • 770 Views
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Human Body Clocks: walking rate, breathing rate, finger tapping rate, hand clapping rate, eyelid cycle rate, blood flow
Open-Time (cloud-time) [smoothrough], [staticactive]
Density of onsets: [empty sparse full overcrowded]
Rate of Change [static gradual rapid], [slow/predictable rapid/unpredictable]
State Change: (resulting from some feature extremity), [extremely slow (events as complete micro-forms)extremely fast (events dissolve/regroup)]
Silence: (is silence structural?) (Is silence present?) (Are large silences present?)
Motion: [haltingflowing], [staticvery active]
Form: [openings continuants closings]
Repetition: [predictableunpredictable]
Completion: [weak strong], [inconclusivefinished]
Process: [continuous discontinuous] [
Sectional: (big global shifts in frequency domain or time domain)
Growth Process: [gradual slow fast hyper-fast], [continuitydiscontinuity]
Texture: (weave of the fiber or cloth) [empty sparse full overcrowded]
Density: [silencethin thick]
Global Morphology
Stability: [stable unstable turbulent]
Structure: simple complex
Perception/Cognition
Surprise [rupture]
Feeling: [relaxed tense], [warmcold]
(awe, anticipation, rupture)
Sonic descriptors organized around terms developed by David Huron.
Certainty/Uncertainty:
predictable unpredictable (event domain, frequency domain)
consistentvaried
Tendency:
louder softer (loudness), lower higher (pitch, frequency bands), dull bright (timbre, loudness), thin thick (event domain, texture, timbre),
slow fast (tempo, event domain), consonant dissonant (frequency domain), order disorder (order-disorder continuum),
openingcontinuuingclosing (global morphology), empty sparsefullovercrowded (event domain, texture), smooth rough (timbre),
relaxedtense (frequency domain, grid-time), drywet (resonance, room effects), simplecomplex (global morphology, form, structure),
frontalclosedistantinfinite (spatial location)
Completion:
weak strong (global morphology, form, structure), inconclusive finished (global morphology, form, structure)
Mobility:
flowing halting (event domain), static active motion-filled (event domain), continuity discontinuity (global morphology, form, structure)
Stability:
stable unstable volatile/turbulent (event domain, frequency domain)
Power:
weak strong (frequency domain, event domain), delicate muscular (frequency domain, event domain)
Emotion:
warm cold (global morphology)
Sonic descriptors adapted from the UST investigations Marseilles (Unités Sémiotiques Temporelles - Temporal Sémiotic Units). The various terms attempt to roughly categorize recurring patterns of temporal behavior in all forms of sound/music.
Extinction
When a passage slows down or otherwise extinguishes itself slowly.
Suspension
When a passage first establishes itself in a process, then has a brief pause of some sort where time is suspended for an instant.
Putting on the Breaks
When a pulsing passage slows down rapidly to a halt.
Taking it to the max
When a passage pushes the limits of some boundary -- it can be a human performance limit, or some form of saturation of a process. in this temporal mode the music hits the limit of one continuum and is on the verge of a state change.
Compression-change
When musical material speeds up rapidly, then breaks into almost silence
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