Othello and Oedipus

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when addressing Desdemona, Othello whimpers, "However oh dear, to make me/The altered figure for the season of contempt" (4. 2.53). Othello expects that those other men will snicker at him on account of the unfaithfulness of his better half, and his pride is the thing that really rouses his craving for retribution. Pride turns into the ripe ground in both Oedipus and Othello for the seeds of their devastation and ruin.

To start with, he loses his mom and spouse as Jocasta is discovered "hanging, the wound rope around her neck" (1294). Next, he loses his sight as he takes Jocasta’s "gold pursued ornaments securing her robe" (1299) and dashes "them upon his eyeballs" (1301). At last, he loses his kingdom as Teiresias’ prescience is satisfied, "blindness for sight / And beggary for riches his exchange" (503-504). Othello’s pride is additionally swung to disgrace as he listens to the contemptible Iago and murders his pure spouse. In doing this repulsive deed, he likewise loses those things most valuable to him. In the first place, he loses his genuine romance as Desdemona excuses him from her passing bed by attempting to shroud his blame. At the point when asked "Who has done this deed?" she replies, "Nobody-I myself" (5.2.123-4). Later, Othello concedes that he "threw a pearl away / Richer than all his tribe" (5.2.343-44). At that point, he totally loses his honor as he is supplanted by Cassio as a representative and marked a killer. At long last, he loses his life as he pronounces,"I took by the throat the circumcised dog / And smote him thus" (5.2.351-52) as he murders himself. Pride devastates both Oedipus and Othello.

Oedipus and Othello both learn through their encounters that pride is a damaging bad habit without a doubt and that men who are bound for extraordinary enduring in this life. Blind Oedipus and dead Othello, who dreaded significantly more noteworthy enduring past the grave, are genuine appalling saints in their last state, for it is here that individuals can look upon them and realize what they realized just past the point of no return. Pride is fatal. What’s to come is chosen and decided for us by our activities and decisions. People get the opportunity to figure out which way they longing to continue along, regardless of the fact that it might appear like the wrong decision. The imperfections that every human has likewise add to forming our fates. Much the same as in the deplorable shows, the saint of the play displays imperfections that impact their downfall and annihilation. A shocking show is characterized as a dramatization where the legend, or the fundamental character, is conveyed to destruction or to continue torment and misery. It is normally a result of one’s terrible defect or shortcoming. The end of Othello and the destruction of Oedipus are realized from their own defects. Othello’s dependence and reliance on the wrong individual, envy, and low certainty would lead him to pick the wrong decisions. Oedipus holds the blemishes of persistence to acknowledge reality, acknowledgment of his destiny and self-importance. Both legends share the shortcoming of pride, which will bring them disgrace and misfortunes. These imperfections would certainly prompt their lamentable endings.

Work Cited

Shakespeare, William. Othello. New York: Pocket Books, 1957. Print.

Sophocles. “Oedipus Rex”. Elements of Literature. Orlando: Holt, Rhinehart and Winston, 2006. 199-262. Print.

SparkNotes Editors. “SparkNote on The Oedipus Plays.” SparkNotes.com. SparkNotes LLC. 2002. Web. 26 Nov. 2013. .

Java, Amy. “The Truth of Fate”. A Critical Analysis of “Oedipus the King”. HubPages, June 23, 2009. Web. 6 Dec. 2013. .

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