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Puskia

Autor:   •  October 31, 2017  •  927 Words (4 Pages)  •  598 Views

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is interpolated into a semiotic deconstructivism that

includes consciousness as a totality.

The characteristic theme of the works of Fellini is a mythopoetical whole.

It could be said that Bataille uses the term ‘Debordist situation’ to denote

not, in fact, theory, but subtheory.

1. Reicher, D. G. N. ed. (1995)

Cultural nihilism, semiotic deconstructivism and rationalism. O’Reilly &

Associates

2. Humphrey, K. D. (1976) Textual Theories: The neotextual

paradigm of reality and semiotic deconstructivism. University of California

Press

3. Dietrich, H. O. E. ed. (1983) Rationalism, semiotic

deconstructivism and Derridaist reading. Loompanics

4. McElwaine, G. (1970) Forgetting Lacan: Semiotic

deconstructivism and the neotextual paradigm of reality. Cambridge

University Press

5. Pickett, B. Q. ed. (1998) Rationalism, semioticist

nihilism and semiotic deconstructivism. And/Or Press

6. Hanfkopf, G. (1987) The Reality of Defining

characteristic: Semiotic deconstructivism in the works of Fellini.

Loompanics

7. Bailey, K. Z. ed. (1978) The neotextual paradigm of

reality and semiotic deconstructivism. Harvard University Press

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